After much deliberation, the five winners of the TLC script writing competition are:
Congratulations to them all and commiserations to those that did not win. We received a high number of entries and the standard was exceptionally high, in fact many of the plays sent to us will undoubtedly find a home in a theatre (or on radio) without our help – we certainly hope and believe this is the case. In the end we based our decisions not just on the quality of the five winning plays but on how much we felt the writers would benefit from what we have to offer. Many, in fact most of you are well on your way up the scriptwriting ladder already. Many thanks for entering and the best of luck with your work.
The Literary Consultancy’s script division works with writers of film, TV, theatre and radio scripts. Our excellent team of readers is made up of experienced writers, script editors and producers, who have worked for the BBC, Channel 4, The Film Council, Miramax, the Arts Council, Hampstead Theatre and the West Yorkshire Playhouse, among others.
A great editorial service with a proven
record in the world of book publishing turns its attention to scripts
of all kinds – I think this is a much needed and exciting venture.
Jane Campion, Director of The Piano and In the Cut
The principles we apply to the book division apply equally here. We will provide a detailed, professional and objective critique of work at all stages of development. If you have some way to go, we will tell you candidly. If your script shows outstanding promise, we will suggest appropriate development or production companies who may take your work further.
Scripts will not be read without the correct fee attached. An s.a.e. is essential for the return of work.
| Treatment (averaging 350 words per page) | Prices |
|---|---|
| Treatment of up to 10 pages | £125 |
| Treatment of between 11-30 pages | £175 |
| Treatment of between 31-50 pages | £250 |
| Any additional pages should be priced at £1.30 per page | £1.30/page |
| Scripts (averaging 250 words per page) | Prices |
|---|---|
| Script of up to 30 pages | £125 |
| Script of between 31-60 pages | £175 |
| Script of between 61-90 pages | £225 |
| Script of between 91-120 pages | £275 |
| Any additional pages should be priced at £1.30 per page | £1.30/page |
I wholeheartedly applaud The Literary
Consultancy’s script-reading enterprise and I hope it will encourage
playwrights to open themselves to the kind of feedback that’s essential
if a play is to make the journey off the page and into the audience’s
imagination.
Nick Hytner, Director, National Theatre
See also:
Services
Mentoring
Other Services
TLC’s innovative mentoring
scheme Chapter and Verse
has places available.
Click here for more information
Narrow Dog to Carcassonne, with which TLC gave
me excellent editorial help, sold 30,000 copies to the consumer in hardback.
Your fine and necessary service made it possible for me as a novice to
write a bestseller.
Terry Darlington, Narrow Dog to Carcassonne, Transworld
Editorial acumen and wisdom is difficult to find, and
TLC possesses both. My first novel has found its way onto Waterstone’s
Summer Reads list and it would have not got there without TLC.
Nick Taussig, Love and Mayhem, Revolver Books
Thanks to TLC I got an agent and secured a deal with Hodder
Headline. The help you provided was invaluable.
Max Kinnings, Hitman and The Fixer, Hodder
I found it invaluable to receive a thoughtful and perceptive
report on the strengths and weaknesses of my novel from a professional
whose opinions I could trust.
Christine Coleman, The Dangerous Sports Euthanasia Society, Transita
If it wasn’t for TLC, my novel just wouldn’t
have made it.
Heather Reyes, Zade, Saqi
Macmillan have commissioned my fourth children’s
book in the Jammy Dodgers series. Without the Literary Consultancy’s
help with the first book I would never have got this far.
Brenda Sivers Bowering, Jammy Dodgers series, Macmillan
I would like to thank TLC for making my book publishable.
Pam Smart, Who’s Afraid of The Teddy Bear’s Picnic, Chipmunk Publishing
It is no exaggeration to say that The Literary Consultancy’s
advice and encouragement was invaluable to me when I was writing my first
novel, Isabella.
Fiona Mountain, Pale as the Dead and Isabella, Orion
I think it’s fair to say that I owe my career to
TLC, editorially and financially. I wouldn’t hesitate to recommend
their services to anyone.
James Flint, Habitus and 52 Ways to Magic America, Fourth Estate
TLC’s report and recommendation enabled me to secure
an excellent agent and a superb two book deal.
Kim Lloyd, Erskine’s Box, Sceptre
TLC’s feedback motivated me to keep going with my
first novel,
which is now on the bookshop shelves!
Helen Salter, Does Snogging Count as Exercise?, Piccadilly Press
I am awed by your reader’s philosophical, novelistic
and teaching skills. I can’t thank her enough.
Y. J.M Bonavero, Something in the Sea, Bloomsbury
Thank you for your kindness and encouragement and for
choosing such a perfect reader.
Norman Thomas, The Thousand Petalled Daisy, Maia Press
TLC was invaluable to me for my novel. I wouldn’t
dream of sending a completed novel to my publisher without having TLC
look at it first.
Prue Leith, Leaving Patrick, Sisters and A Lovesome Thing, Penguin Books
I am convinced my book’s success is due to the down
to earth, practical advice The Literary Consultancy gave me.
Tony Booth, Cox’s Navy, Pen and Sword
Many thanks to your excellent consultancy for its invaluable
contribution to making this possible.
Michael Richardson, The Pig Bin, Tindall Street Press
TLC introduced my work to agents and publishers on my behalf.
I suspect no-one would have looked at it otherwise.
Jenny Downham, Before I Die, David Fickling Books, Random House
The advice I received from Anna was detailed, forthright yet encouraging, and pretty spot on.
When my agent sent the book off again, we secured a deal with Serpent’s Tail.
Bethan Roberts, The Pools, Serpent’s Tail
It is no exaggeration to say that
The Literary Consultancy’s advice and encouragement was invaluable
to me when I was writing my first novel, Isabella. It’s always
useful to have feedback on your work but with The Literary Consultancy
you know that it is from professionals who really know what they are
talking about.
Fiona Mountain, Pale as the Dead and Isabella: The Haunting Love Story of Fletcher Christian and Isabella Curwen, Orion
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